ZNN PRESS ROOM: A ZlandCommunications Editorial

THE AGE OF DISCLOSURE

A UAP DOCUMENTARY

UPDATED WEDNESDAY DECEMBER 17, 2025

A Symphony by filmmaker Dan Farah

Here are several modes of reasoning worth considering when weighing the impact of this ground-breaking documentary.

Few of them likely to please anyone.

First, any film surrounded by such pre-release hype is almost destined to disappoint the “experts” and the “self-appointed informed”. The Choir of the Convinced will always offer a collective, dismissive ho-hum.

Their response is predictable: Tell us something we don’t already know.

The Choir of the Convinced is a mischievous bunch—rarely satisfied, rarely appreciative of the risk-takers like James Fox and Dan Farah - advocates who actually put money and reputation behind their convictions.

Although perhaps overly American in content as some critics profess, its composition speaks to all humanity.

Filmmakers of this caliber do not compose documentaries for one country or the converted. They seek a wider global audience—the uninitiated, the indifferent, the skeptical, and yes, the active suppressors of truth who remain conceptually thin-minded.

Which brings us to point two:

Consider for a moment the casual viewer scrolling through film apps late at night looking for something tasty. They stumble on Prime’s Age of Disclosure without any prior context. (Yes you must purchase it.) Its compelling trailer catches their curiosity. They watch it—all of it—and then-something shifts.

Never having heard the oddities many around the globe know so intimately about this phenomenon, they tell their friends the next day: “You’ve got to watch this film. It’s… disturbing—in a way I can’t shake.”

If this happens even 500 times across Canada, the U.S., the U.K., and beyond, that’s already 500 people whose awareness has been irreversibly tantalized and expanded.

In truth, the number is likely far larger.

Even if these new-comers give it no further thought - the likelihood of it jarring their consciousness and challenging their preconceived beliefs in days to come has subtly re-arranged the synapses of their brain. Like a seed planted - awaiting the spring of another day. This is how this phenomenon grabs the ambivalent.

Farah’s long march—through interviews, testimonies and the unforgiving scrutiny of the historical moment—will trample old conventions of knowing that will contribute to a rising global consciousness, challenging those who would suppress the human right to know.

Because this film makes two declarations, even if not overtly:

This phenomenon has been analyzed, debated, and sequestered at the highest levels of governance across the planet.

This information belongs to no government—it belongs to humanity.

Our right to know is not hypothetical. It is real. And the phenomenon—with all its strange extensions—suggests a complex tapestry of off-world intelligences observing, interacting, and influencing us with motives yet unspoken.

How many viewers of Age of Disclosure will suddenly recognize their own experiences—lights seen, memories suppressed, doubts dismissed? How many will finally understand the scale of the deception that has shaped their belief that humanity stands alone in the cosmos?

The orchestration of this film is not merely factually vigilant and overpowering; its arrangement resembles listening to a symphony while attending to only the cellist, one note at a time.

If Farah has achieved anything, it is not merely the confirmation of what some already believe. He may have ignited the first stage of a transformation—the unraveling of decades of denial, the weakening of the secret keepers and liars whose mantra continues to insist:

“We are alone in the cosmos. That’s it. End of story. Now… go back to sleep.”

Watch the Trailer

HERE

Your comments are invited.

Victor Viggiani

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From the desk of

Victor Viggiani M.Ed. - News Director

ZlandCommunications NewsNetwork